Michèle Lamy Young: Rare Archival Photos Tracing Her Wild Style Evolution
Lamy migrated to New York in 1979 before settling permanently in Los Angeles in the early 1980s. Southern California offered an open horizon untethered from French social expectations. She set up shop on the fringes of Hollywood, running eccentric dressmaking studios and operating gathering spaces that operated outside mainstream entertainment channels.
Her most culturally resonant venture arrived in the mid-1990s with Les Deux Cafés. Tucked behind an unmarked, graffitied parking lot on North Sycamore Avenue, the restaurant and garden became an iconic nocturnal sanctuary for 1990s Hollywood counterculture. Lamy had physically transported an authentic 1904 Arts and Crafts bungalow onto the asphalt lot, surrounding it with wild Mediterranean flora, mismatched antique chairs, and low candlelight.
Archival party photos from Les Deux Cafés between 1996 and 2001 capture Lamy at the absolute height of her underground prominence. She moved between tables holding hand-rolled cigarettes, wearing bias-cut raw silks and heavy antique Berber arm cuffs. Diners at her garden tables included David Lynch, Madonna, Joni Mitchell, and Prince. She acted not simply as a restaurateur, but as an alchemical salon hostess who established the raw, moody tone of the alternative West Coast underground.
| Era & Milieu | Visual Hallmarks | Core Endeavor |
|---|---|---|
| 1960s: Parisian Courts | Structured wool suits, bare skin, clean manicures, traditional French bob. | Criminal defense legal practice alongside René Floriot. |
| 1970s: European Underground | Cabaret costumes, flowing textiles, antique coin belts, stacked silver bangles. | Dance performance, bohemian cabaret, nomadic travel. |
| 1980s, 1990s: Hollywood Renaissance | Gold-capped teeth, early henna dyes, raw draped silks, layered tunics. | Founder of Les Deux Cafés and independent label Lamy. |
| 2000s, Present: Brutalist Modernity | Henna-dipped fingers, vertical forehead kohl line, Owens armor, sculpted fur. | Creative partner, Owenscorp furniture director, cultural curator. |