From 1997 Headlines to 2026 Charts: the Evolution of Fastball's 'The Way'
Living in Austin at the time, Tony Scalzo followed the couple's saga through continuous updates published in the Austin American-Statesman. Fastball had just been dropped from high-priority status by Hollywood Records following the commercial flop of their 1996 debut, Make Your Way. Desperate to find fresh thematic ground, Scalzo began sketching verses that reframed the tragic disorientation as an intentional act of rebellion.
The opening verse establishes a conscious escape rather than a medical crisis:
"They made up their minds and they started packing
They left before the sun came up that day
An exit to eternal summer slacking
Where were they going without ever knowing the way?"
By transforming an elderly couple suffering from dementia into protagonists running away toward "eternal summer slacking," Scalzo tapped into the youthful liberation prized by 90s alternative rock classics. The second verse confronts the frantic family left behind, directly echoing the public statements issued by the Howards' children during the search:
"Their children woke up and they couldn't find 'em
They left before the sun came up that day
They just drove off and left the whole world all behind 'em"
The chorus shifts entirely from investigative realism to metaphysical myth-making. Scalzo pictured the couple transcending mortal pain:
"Anyone can see the road that they walk on is paved in gold
And it's always summer, they'll never get cold
They'll never get hungry, they'll never get old and gray
You can see their shadows wandering off somewhere
They won't make it home, but they really don't care"
The imagery deliberately subverts the dread of aging. By stating that the couple "won't make it home, but they really don't care," Scalzo provided an idealized resolution that real-life search parties could not offer.